Saturday, July 30, 2005

Draupadi, the Woman : Epitome of Feminity and Feminism - Part 2

Draupadi is the only instance we come across in epic mythology of a sati becoming a kanya. It is stated that in an earlier birth as Nalayani (also named Indrasena), she was married to Maudgalya, an irascible sage afflicted with leprosy. She was so utterly devoted to her abusive husband that when a finger of his, dropped into their meal, she took it out and calmly ate the rice without revulsion. Pleased by this, Maudgalya offered her a boon, and she asked him to make love to her in five lovely forms. As she was insatiable, Maudgalya got fed up and became an ascetic. When she remonstrated and insisted that he continue their love-life, he cursed her to be reborn and have five husbands to satisfy her lust. Thereupon she practiced severe penance and pleased Lord Shiva with her prayers. He granted a boon to her. Nalayani said that she wanted a husband and to ensure that her request was heard, she repeated it five times in all. Shiva then said that in her next life she would have five husbands. She obtained the boon of regaining virginity after being with each husband. Thus, by asserting her womanhood and refusing to accept a life of blind subservience to her husband, Nalayani, the sati, was transformed into Yajnaseni, the kanya. Some sources have a slightly different narration. Draupadi made her request only once but she added a long list of qualities that she wanted in her husband. Lord Shiva said that it would be impossible to find one man with all these qualities. Hence she would have five husbands in her next life. All of them together would posses the qualities she had enumerated. (According to Brahmavaivarta Purana, she is the reincarnation of the maya Sita (shadow Sita - wife of Lord Rama, an incarnation of Lord Vishnu, and hero of Ramayana) who, in turn, was Vedavati, reborn after molestation at Ravana's hands, and would become the "Lakshmi of the Indras" ] (one of the forms of Goddess Lakshmi, eternal consort of Lord Vishnu) in heaven.

Draupadi and Lord Krishna shared a very special relationship. As is known to admirers of the great epic poem Mahabharata, Draupadi always considered Lord Krishna as her Sakha or beloved friend and Krishna addressed her as Sakhi, this as symbolic of the platonic love existing between the fiery Draupadi and the eighth incarnation of Lord Vishnu, Krishna. Draupadi is the instrument of Lord Krishna. Using her, he realized his mega-plan of annihilating the evil Kauravas. The choice of Draupadi as the instrument, which caused his actions, explains the special place she had in his scheme of things, Draupadi was put through severe tests in her life. The only true friend, who validated her persona and came to her rescue each time she found herself in dire circumstances, was Krishna, whose divine presence she experienced constantly in her life.

It was the Swayamvara (a ritual in which the princess was allowed to choose her groom from amongst a group of contenders) of Draupadi, the princess of unequalled beauty, where the Kings and Princes gathered in hundreds, each eager to marry the princess. King Drupad, father of Draupadi arranged a contest. At the center of the hall a mechanical device was erected; on it was placed a revolving object in the shape of a fish. The reflection of this revolving fish could be seen in the water below. A very heavy bow was kept nearby. Any one who desired the hand of Draupadi in marriage had to lift the huge bow, bend it and tie the bowstring, then, looking at the reflection, he had to take aim with five arrows and bring down the rotating fish. Such a one would be a hero worthy of Draupadi's hand. Many of the assembled kings retreated, as soon as they heard of this contest. The hundreds of princes who had come to marry Draupadi were all beaten.

Both Krishna and Draupadi appear for the first time together in the Swayamvara Sabha and make decisive interventions. It is Panchali's categorical refusal - wholly unexpected - to accept Karna as a suitor that alters the entire complexion of that assembly, and indeed, the course of the epic itself. The affront to Karna sows the seeds of the assault on her in the dice-game. Pandavas in disguise of brahmins came to the Swayambhara Sabha, and Arjuna won Draupadi by piercing with arrow, the eye of a moving fish on a high pole. Other than Pandavas, kings and princes became very angry and it is her Sakha-to-be, Krishna, who steps in to put an end to the skirmish between the furious kings and the disguised Pandavas.

The Pandavas and Draupadi returned home from the Swayamvara hall. The princess who had not seen the midday sun, had to walk miles in the sweltering heat to reach her new home. Arjuna announced to his mother that he had brought home a prize that he so skillfully won. When Kunti (mother of Pandavas) heard this without seeing them, she asked them to share whatever they had brought among themselves. This was how she daily greeted them in order to ensure they remain united. Keeping their mother's word, they divided Draupadi amongst themselves as if she were an object. It is true that Arjuna was able to receive Draupadi's hand by completing a difficult and skillful task, but she was not a prize that he won because it was Draupadi's Swayamvara; she had the right to choose her husband. Arjuna proved himself worthy, Draupadi herself made the true decision. She could have married Karna who could have also performed the same task, but she denied him permission to participate. In certain ways therefore, Arjuna degraded Draupadi by claiming her as a prize and his elder brother, Yudhishtira, further insulted her by carrying out their mother's wish by treating her as if she were an object won in a contest.

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